Outdoor Illustration of the Short Story by Alexandros Papadiamantis “Dream on the Wave”
The work is exhibited at the Papadiamantis Museum in Skiathos and depicts the two protagonists — a shepherd and a young girl in his arms — the goat, two birds flying in the air, and an owl in the bush.
Alexandros Papadiamantis, “Dream on the Wave” Illustration by Babis Pilarinos
A poor shepherd boy in the mountains, eighteen years old, saves — after dramatic doubts, wavering, and inner conflicts — Moschoula, a young girl two years younger than him, whom he saw sinking and disappearing into the wave. He certainly paid the price for her life.
His poor little goat — also named Moschoula — whom he had forgotten for the sake of the other Moschoula, “was roped”: she became badly entangled in the rope by which he had tied her and drowned!… He grieved moderately and made her a sacrifice in the other one’s name.
“As I had wrapped her in my left arm, it seemed to me that I felt her faint warm breath on my cheek. I had arrived just in time, glory be to God!… Still, she gave no clear signs of life… I shook her with a strong movement, instinctively, so that she might be able to breathe; I made her lean against my back and I swam — with my right hand and both legs — I swam strongly toward the shore.
My strength multiplied miraculously. I felt the being cling to me; she wanted her life; oh! let her live and be happy! No selfish thought was present in my mind at that moment. My heart was full of self-sacrifice and unselfishness. I would never ask for a reward!
How long will I remember that soft, tender body of the pure girl which I once felt on me for a few minutes in my otherwise pointless life! It was a dream, an illusion, an enchantment. And how different it was from all the selfish embraces, from all the false friendships and lustful passions of the world — that ethereal contact!
That burden, that sweet burden, was not heavy; it was relief and refreshment. Never did I feel myself lighter than while I was carrying that burden…
I was the man who managed, for a moment, to catch with his hands a dream — his very own dream…”
Ζωγραφική στο ατελιέ
Εγκατάσταση της εγκατάστασης στο Ναυτικό Μουσείο Σκιάθου
Με την επιμελήτρια της Έκθεσης Ίριδα Κρητικού και τον Δήμαρχο Σκιάθου Θοδωρή Τζούμα
Μονή Ευαγγελίστριας Σκιάθος. έργο Χρήστου Παπαδάκη
Στο σπίτι του Αλέξανδρου Παπαδιαμάντη
Μονή Ευαγγελίστριας Σκιάθος, έργο στην εσοχή Χριστίνας Παπαθέου
Μονή Ευαγγελίστριας, Σκιάθος
Ναός Παμεγίστων Ταξιαρχών Σκιάθου
Στο σπίτι του Παπαδιαμάντη, έργο Απόστολου Ιτσκούδη
Εργο Ελπινίκης Καμόσου
Στο σπίτι – μουσείο του Σκιαθίτη ποιητή και φιλόσοφου Ζήση Οικονόμου
Μπροστά στο βίντεο του Μάνου Μπατζόλη
Εργο Χρήστου Παπαδάκη
Έργο Μαρίνας Στελάτου
Title of the Work: “Not Holding His Place” Participation in the exhibition “I Was Born in Skiathos” Curated by Iris Kritikou Opening: Saturday, July 15 at 19:30 Duration: until November 12
In May of 1909, Andreas Karkavitsas visited Skiathos as head of the traveling conscription committee, after completing its duties in Magnesia and Pelion. As an official — he was a military doctor — he was accompanied by the regional governor, and so they were formally welcomed by the island’s authorities.
Karkavitsas records the arrival of the committee, the reception of the dignitaries, the greetings and the treats, describing scenes from the harbor of the picturesque “small town,” but he also notes the meaningless (to him) conversations among the local notables.
What truly mattered was the meeting with Papadiamantis, and he looked for him by scanning the surroundings. He soon spotted him, half-hidden at the edge, faithful to his habit of avoiding the prominent figures.
He got up, caught up with him at the corner, and they spoke standing. Papadiamantis had no desire to sit with his friend’s “official” company and even complained about his inability — a result of his financial situation — to host him as he would have liked:
“You come to my place, and I can’t look after you… you have to go elsewhere! That I can’t take you into my house,” he said, and he began to tear up.
Karkavitsas recounts the dialogue among his companions, with their remarks on the greatness of Papadiamantis — “he is a great man” — but also their misguided insistence that he “does not hold his place”, criticizing his conscious choice to avoid the notable and to mingle with the humble and the common folk.
(An excerpt from a text by Grigoris Kartapanis was used.) Many thanks to the author Giorgos Katselis for sharing this telling incident about the character of Kyr-Alexandros.
“Father Nicholas Planas at divine service and Alexandros Papadiamantis singing in the small church of Agios Elissaios in Monastiraki” 240×132 cm. Etching
Alexandros Papadiamantis and Alexandros Moraitidis, humbly in Skiathos.